briefs

2021-11-07

John Bryce

archive

.. the invasion of Parihaka



.. a couple of days back, November 5, was the day in 1881 Armed Constabulary directed by John Bryce, New Zealand colonial government Minister of Native Affairs, began the invasion of Parihaka, a kāinga of passive resistance to the confiscation of Māori land, founded by Te Whiti-o-Rongomai and Tohu Kākahi. Both were arrested that day and imprisoned for two years without trial. John Bryce, years earlier at one point during Aotearoa’s colonial wars, was an officer in the Kai-iwi Yeomanry Cavalry Volunteers, and in one heinous attack was implicated in the killing of two Māori children out playing, and wounding more.

The image here is part of Bryce’s gravestone at Brunswick Cemetery, Whanganui, and appears towards the end of ‘A Vocabulary’, in both the book and exhibition. The exhibition is currently installed at Toi Tauranga @taurangaartgallery, and the book has all but sold out.

The work mostly is of the texts and parts of the texts on British and colonial memorials and gravestones for the dead of these wars, a vocabulary of colonisation.

A week after the exhibition opened at @te_uru, the touring gallery, a visitor, Māori, walked the first few images at the beginning of the show, the system of colonisation, and soon came across an image of the name Sir George Grey from a monument in Albert Park, Tāmaki Makaurau. Grey oversaw the massive confiscation of Māori land, was twice governor of New Zealand and prime minister. Straight away the visitor began to rage against the image, shouting he was going to ‘smash’ it. The gallery curator who was nearby, rushed in and the two of them talked, and then walked the meanings of the show, a vocabulary of colonisation.

At the opening, another layer of response, a friend, Pākeha, discovered the Bryce image towards the end of the last wall. Her great-great-grandfather had been a 19-year-old militiaman under Bryce that day at Parihaka, and she recently knew the story. At that moment, overwhelmed, she left the exhibition.

BRUCE CONNEW / 11.2021